Concept piece.

OUT of the box.

Two versions of S!OUT. Have to admit that while we were crazy about the concept, the execution has left much to be desired.

Concept logos for e18hteen and fort48ight respectively.

Was doodling some possible solutions for an Einstein-Nietzsche ambigram. A very rough draft (above). A hidden E=mc2 within 'Einstein'. The '2' rotates into the 'Z' in Nietzsche.

Concept logotype for nagfa. Basically, in Rockwell with a play on the g-ampersand relation. Reads nagfa, though alluding to na&fa: naguib and fadilah.

Design proposals for winky.net. Not accepted.

Logo concept.

A play on the English idiom 'one swallow doth not a summer maketh' (one swallow does not make a summer). Look again. Perhaps, it does..!

A concept design. The word 'one' formed by the digits '2' and '3'.
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And our previous number-based concept, 69:

concept 69

A slightly conceptual representation for a 'sixty-nine' ambigram. In numerical symbols, a '69' is a vastly recognizable ambigram. Here, we use the word 'sixty' juxtaposed with the hidden Roman numerical 'IX' (9) to conceptually read 'sixty-nine'.

W.Bush. A visual pun, if you will.

concept piece: j e r U S A l e m

Old concept just re-discovered.

landmark post number 777

Based on Germany's football jersey at Euro'08. (Michael) Ballack, the German captain, wears number 13, while (Lukas) Podolski wears 20. Conceptualized while watching the Portugal-Germany quarter final which Germany won 3-2.

concept piece: European title: Man U 3 - Chelsea 0

... on his passing ...

concept piece (90-degree rotational ambigram): 2008-calligraphic rat

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Previous similar-themed - and similar-styled - nagfa pieces:

concept piece: tikus

'Tikus' is 'mouse' in Malay; and

reflection (totem): mouse

A calligraphic mouse created by the letters in 'mouse', totem-styled.

ambigram: square

It started with a stylised Arabic 'Allah':

stylised logo: Allah in Arabic

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After duplicating, flipping horizontally and then combining:

reflection: white
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Then, duplicating that and placing it underneath, and putting in extra bars to highlight a rough diamond outline:

reflection: white2

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After which the form is duplicated and placed in a rigid grid formation, filling the spaces with smaller versions of the same form:

concept piece (tesselation): white (reflected from Allah)